Coca-Cola Pop Art Gallery: Micha Klein, Pioneer of the Digital Image Culture

Micha Klein graduated from the Rietveld Academy, Amsterdam, in 1989 as the first artist to receive a BA in computer graphics. The same year, Klein started exhibiting his gigantic photographic panels in prestigious galleries around the world.

Klein was already known as a successful VJ and experienced a breakthrough on the international club scene before he made it as an artist. Pioneer of the VJ-scene, Micha Klein introduced his rhythmic editing of computer graphics and video images at the first Acid house parties in 1988. In the nineties, he introduced the VJ concept in Ibiza, where he held a residency in legendary club Pacha. The rest of the world would follow fast. Over the years, Klein has seen how things have technically evolved and how the VJ-scene has boomed: “The new equipment and software create new possibilities. We live in a multimedia age, so we can’t live on music alone anymore. Visuals will become an integral part of electronic culture, and in the future DJ’s will become Media Jockey’s” (note: with this 90’s quote, Micha proved to be a real visionary – anno 2008, the age of the Media Jockey has begun with tools as the Pioneer SVM 1000).

In 1998, the Groninger Museum honored him with a retrospective dedicated to 10 years of his graphic production and videos. In 2003, Klein was honored with a Lifetime Achievement Award for his contribution to the international VJ scene during the AVIT UK summit.

Klein’s artworks are a significant crossover between art, multimedia, video art, VJing, marketing and advertising. They attract attention for their digital approach, surrealistic shapes & objects and bright colors and tell stories of a world that revisits pop art and culture. Klein doesn’t portray reality; he likes to create his own reality.
With his computer manipulated images and psychedelic computer palette, Klein explores the media based culture of our time. He mixes music, club culture, fashion, beauty and mass media to create a wondrous universe somewhere between dream and reality.

The people and landscapes in his artworks are just too beautiful & perfect. They appear unreal, even unearthly. In his series ‘Artificial Beauty’ (1998), Klein generated a new fictitious generation of beautiful young people, taking over the top the all too perfect beings and settings we encounter in advertisements.
By doing so, Klein also shows that today’s photography has no more to do with reality than other types of images. Even the most stunning models are given a Photoshop make-over. The end result is highly artificial, and comments on the aspects of society that Klein finds fascinating yet problematic such as artificial beauty and plastic surgery.

The aesthetics of advertising and elements of everyday and popular culture have always been an integrated element Klein’s art, and he brings everything that is usable over from this world. In true pop art tradition, Micha Klein is a big but critical fan of the techniques and concepts of advertising. Just like Damien Hirst, Klein believes that art must compete with commercial and spectacular expressions: “My work must be as seductive as advertising and entertainment. If not, it loses its visibility in a culture saturated by media, constantly bombarding us with commercial messages. Since these messages have become part of the mainstream culture, it is vital that artists especially can infiltrate this culture with their subversive ideas.”

Over the last years, Micha Klein has worked in clubs around the world and collaborated with superstar DJ Tiësto on visuals for his live-sets and created background projections for Eminem’s concert tour, based on his notorious character Pillman. Klein also did all the artworks for the Dutch dance festival Mysteryland, designed the animations for Jacky Chan’s ‘Around the World in Eighty Days’ movie and did commercial work for companies and brands as Swatch, Philips, Endemol, KPN, Mustang Jeans, Heineken, Hugo Boss and Samsung.

For his first Coca-Cola commercial, Micha Klein managed to put in a girl in a ‘Make Love, Not War’ T-shirt (just before the 2nd Gulf war), a boy wearing a Che Guevara T-shirt the war and girls licking each others faces. The video with music by Monte La Rue, introducing Coca-Cola’s new visual identity by Desgrippes Gobé, was sold to 25 Coca-Cola markets, a lot in Central and South America.

Klein’s commercial jobs and his works of art have a number of parallels in form & content: “It’s fun to stretch the image of a company in directions they never would imagine, to sort of pile your own layer of meaning on top of theirs, to inject some of my own ideas”.
Klein always tries to inject some of his own ideas in his commercial work. “I try to talk to the client and tell them they should transform their strategy to become a ‘good company’, to be closer to their consumers and do community projects. Give back to the people… I think in the future companies will be judged on that”.
By doing commercial assignments, Klein can finance his own art, and is not dependent on government subsidies, which gives him more freedom.

The music & club culture is still a key component in Klein’s work; at times he prefers the unceremonious gathering at clubs to the seriousness of galleries or museums.
For the Coca-Cola commercial “Bubble Dream Girl”, Klein could combine his passion for dance floors and advertising. The clip was shot in Malaga on 35mm, with a 50 people crew and 80 extras. Graphics & special effects were added in post production and his friend Tiësto did the soundtrack.

Last year (2007), ‘Speeding on the Virtual Highway’, a documentary about Micha Klein’s life & work was shown at the International Documentary Film Festival Amsterdam. Director Corinne van Egeraat follows Klein as he works on his his new art series. This unique time document shows us how fast digital developments go and how quickly the times they are a-changin’, especially in the case of Klein’s creative way of living.

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Coca-Cola = A Soda Pop, a Strong Idea, Part of Global Economies & Cultures, a Trusted Friend, a Personal Brand

Dan Schawbel posted this very interesting interview with Jerry Wilson, senior vice president at The Coca-Cola Company on his Personal Branding blog.
As an executive for the N°1 brand in the world, Wilson shares his vision about brand development and personal branding.

“Coca-Cola personifies authenticity, life’s simple pleasures and optimism. We learned many years ago, during the New Coke launch, that our brand Coca-Cola is actually “owned” by our consumers all around the world, not the corporation”. Jerry Wilson

Wilson joined The Coca-Cola Company in 1988. His background includes general management, brand marketing, strategic planning, customer management and people development.
Recently, Jerry wrote a book called “Managing Brand You: 7 Steps to Creating Your Most Successful Self.”

013a

ARTIST SPOTLIGHT

ARTIST PORTRAIT
The man behind 013a is Matei Apostolescu, a 23-year-old graphic designer and illustrator living in Bucharest, Romania. With a classical music and graffiti background, he started designing only three years ago. He has since completed various projects involving illustration, web design and motion animation. Last year, he established his own design studio in Bucharest. Matei finds great inspiration in literature and the visual universe of his own childhood in the post-Communist epoch. In only a short space of time, 013a has become one of the absolute darlings of today’s graphic scene, and with his very recognizable style – a mix of analogue and computer art – Matei consistently pushes the boundaries of visual communication. His often experimental and challenging work can be seen on book covers , magazines, ads, posters, boards and on clothing.

INTERVIEW

WHAT INSPIRES YOU?
A lot of things but especially technology and the ever changing complexity
of the world we live in.

DID IT TAKE LONG TO FIND YOUR PERSONAL STYLE?
I never tried to have one specific style – I just let it happen. Most of my work is freestyle.

DO YOU START SKETCHING ON PAPER OR DO YOU WORK DIRECTLY ON THE COMPUTER?
I start with very detailed drawings made with rotring pens, scan them in and process them in Photoshop.

WHAT KIND OF MUSIC DO YOU LISTEN TO AT THE MOMENT?
Most of the time, I listen to IDM (Intelligent Dance Music) and electronic music.

DO YOU READ DESIGN MAGAZINES?
I love Computer Arts magazine, and I read a lot of art blogs on the web.

WHICH PROJECT HAS GIVEN YOU THE MOST SATISFACTION?
The 115 digital art gallery in Bucharest. I`m one of the founders and I didn’t expect it to grow so fast. We made a lot of noise with this project in Romania and on the web.

DO YOU DISCUSS YOUR WORK WITH OTHER ARTISTS?
Of course. I get masses of feedback from various forums / art groups. There’s a lot of idea sharing going on via the internet right now and to me this is a great way of learning and understanding what’s going on around me.

WHAT INTERESTS YOU MOST IN THE COKE SIDE OF LIFE REMIX PROJECT?
I was always fascinated by the classic Coca-Cola posters, so the chance to work with such important historical material really meant a lot for my skills and future development.

WHAT IS THE MESSAGE IN YOUR REMIX ARTWORK?
Love & understanding the idea of love.

IS IT DIFFICULT TO COME UP WITH ARTWORKS THAT FIT A THEME?
Not really. I think it’s an exercise of putting things into perspective and understanding how to transmit a certain message or feeling to someone else.

WHAT’S YOUR ULTIMATE DREAM PROJECT AS AN ARTIST?
Well, this may sound strange, but it’s a one billion dollar movie. The way I see it, this would be the biggest artistic collaboration in human history.

WHERE CAN WE FIND YOU WHEN YOU’RE NOT WORKING?
In a beautiful place on the Danube, at the Cetate Cultural Port – a cool spot for relaxation and the best food on earth.

Summer Day

It’s a beautiful summer day. An incredible blue sky, the sun is shining. Like Bob Marley sang: “The weather is sweet, yeah, make you wanna move your dancing feet”. Celebrate! Dance on a table, play frisbee, make ice cream, eat watermelon, drink an ice-cold ‘Coca-Cola’, run through a sprinkler, walk through the grass barefoot, blow a dandelion, smile at a stranger, twirl until you’re dizzy, catch a firefly, splash in a creek…
Enjoy this most glorious of seasons. Hmmmm!

Serge Mienandi

ARTIST SPOTLIGHT

ARTIST PORTRAIT
Serge Mienandi was born in 1967 in Brazzaville, Congo. He studied art in the famous Poto-Poto School of Painting in his hometown.
Since its establishment in 1951, this school has been a vital location for the creation, exhibition and sale of African paintings. The school has often been described by critics as historically important and very significant in terms of longevity and widespread influence. The idea of the Poto-Poto School is to save the essential spirit of African art and adapt it to modern life. Inspiration comes from local legends and traditions mixed with today’s reality. Mienandi’s artworks depict village and market scenes of drumming, hunting, dancing and masquerade performances. But he brings also modern subjects as urban culture, cinema, cars and fashion to life. Since 2002, Mienandi lives and works in Dakar, Senegal.

For ‘The Coke Side of Life’ Remix project, Mienandi created 4 paintings in the traditional Poto-Poto style. Here you can see the original artworks.

And this is the final “Coke Side of Life” poster…

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